One student's manual arts experience...
I went to furniture making school for 10-12 grades. I'd decided in 9th grade that I wasn't likely to go to college so chose furniture making. I say this as if it was a well thought out decision but I only vaguely remember putting any thought into it at all. My mum was supportive of it and my father never said anything about it. The only person against me going was my 9th grade algebra teacher who saw something in me that didn't think it was the right thing for me to do. Being a somewhat wayward youth, I ignored her and off to "The Voc", as we called the vocational school, I went.
The Voc had about 450 student in about 18 disciplines. It was a building that was adjacent to the high school but we were not allowed into the high school except for lunch and even then, we had our own separate time. The school was boys only. "Majors" included furniture making, painting and decorating, sheet metal, automotive repair, machine shop, electrical, electronics, printing, and probably a couple others I don't recall. Each major was assigned a shop uniform color, furniture making was grey, that we had to purchase from the Army-Navy store.The Voc was sort of the dumping ground for those that were likely to fail in high school but at least the city was providing skills training.
The program broke each class into two sections. Section A was in the shop on the odd weeks while section B was in "related" classes: drafting, shop math, and probably a few other subjects. I was pretty good at drafting and did enjoy it. We also had to take some basic history and english/writing classes during the week we were in the "related" classes.During the even weeks, Section B would be in the shop and section A in the related classes. School was from 800-330 with a 1/2 hour break for lunch. My shop teacher, Tudor Jones, and related teacher, Walter Wallace, were cranky guys, somewhat burnt on dealing with outta control boys. Fist fights were common and often spilt into the street after school and surrounded my most everyone in the school. Odd but I don't recall a teacher ever coming out to break up a fight but they must have noticed them. No one ever really got hurt much, I never saw a knife or any other weapon, but that was many decades ago.
The furniture making shop was big, probably 300 x 50 feet. Three rooms: a bench room where handwork was done, a machine room, and a lumber room. The benches and tools were professional and Tudor Jones was adamant about taking care of them. He was always sharpening something. At the end of each day, the shop had to be cleaned and all tools put away before anyone left, a habit I still have today. Even if one tool was missing from the tool room, we all searched till it was found. Grades 10, 11, and 12 all worked in the shop at the same time.
Projects were assigned. Each designed to teach new skills. Some students were more serious than others. Looking back on it, I wish I were more serious about it. Seems like my social lot in life got in the way of focusing on school.
There were group projects as well. There were always 3 or 4 grandmother and grandfather clocks in various stages of construction. They were always being made for some teacher or a teachers friend or someone else. Seemed like we did about one project every week or so. At the end of each year, we did our own individual projects. In the related classes, we'd draft up the upcoming projects and build parts lists. But we'd have to do the drawings over again in the shop class that were full size on butcher paper (I think). My mum kept one of my projects all her life and myself sister couldn't stand to part with it when she died so she has it someplace in her garage. I did get a chance to see it sometime ago. It was nothing special honestly. I wish I knew about taking pride in projects but that's something I learned much later in life. Boston, at least my part of it, was not a very nurturing place to grow up and pride didn't seem to be a word anyone knew or treasured.
When I graduated, I ended up taking a job in a hardware store for a year and then finally left Boston, chasing a girl to Ohio. I've used my furniture making and drafting skills over the years throughout life but never did furniture making professionally. I don't regret that but do vividly remember those days at "The Voc" and continue to lean on those skills I did learn.
Some of the students went on to woodworking colleges like North Bennett Street School or Wentworth. I always thought about doing that and I wonder what I'd be doing today if I had. Alas, I've build a lot of furniture in spite of not doing it professionally. I have a small but well provisioned shop. Over the years, I have squirreled away fine woods and have plenty for the rest of life.
Like many I suspect, I go through phases where I do lots of projects, then get burnt on them and don't do any for a while. Over the last few days, I'd been working on a segmented turning that is 12" dia x 24" tall as a base for a sculpture Ms Miguel had just finished. Segmenting means that the total piece is made up of individual pieces of wood glued together and then turned. The base was about 50 lbs. I was about 20 minutes from finishing and the entire thing flew apart, almost like an explosion. When things like this happen, I shut down the shop for the day because I become frustrated, pissed and discouraged and I know I'm at risk of getting hurt if I did further work in the shop. But this morning, just to make myself feel better and show at least something I did that worked, I turned this small, segmented bowl. I'd glued it up about a year ago but never finished it. I did this as a small exercise in preparation for a series of small segmented turnings I want to make. And it has inspired me to get back to that series of small pieces.
Best
Miguel