So, fair warning ... I'm probably going to be long winded on this one. It's been on my mind a lot lately.
AI Music. The tl;dr is I want to hate it on principle. But I don't. Here's why.
I've always considered myself a bit of a musician and an admirer of good music. Not really an aficionado, but maybe. Back in the day I read all the guitar magazines, I listened to entire albums in my bedroom through over the ear headphones, I had a band (We sucked. That wasn't the name of the band, but it could have been). But I still listen to a lot of music and like to keep my finger on the pulse of what's going on. And people are shaking their fists at the clouds over AI music, and rightly so. I guess.
I am very much a process guy, normally. I like pour over coffee. I brew beer. When I smoked I smoked a pipe. I like to be invested in the process that leads to the product. So it's completely against my nature to be ok with AI music. The thing is, music is just the latest thing to get caught up in the automation steamroller. Or is it?
This is a great interview with one of my favorite groups ever - Dream Academy - and just listen to what Nick says about the advent of synthesizers. He's spot on about the advantages regarding instrumentation, but we went from an era of hiring an orchestra to buying a Yamaha DX-7 or an Ensoniq Mirage and you have an orchestra in a box. The backlash against AI is concern for all of the artists it will put out of business, but in the '80s we no longer needed a raft of violinists ... we had MIDI. It's really much the same. The video won't let me hot-link, but it's a really good interview. Please follow the "Watch on YouTube" link.
I'm going to apply the advent of technology to another field that's gone by the wayside. When my band gave up, my bassist and collaborator went to college for photography. This was mid-late '90s. He had been a photographer for a long time, a good one, too. High school yearbook photographer, now with a degree in... and then digital cameras happened. That career was suddenly gone because everyone had digital cameras. Now we have fantastic cameras that are built into our phones. That's what made me think of this today.
I stopped off on my way to work this morning and snapped a picture - on my phone - of the lake with the sun just coming up. It's nice. Forty years ago that might have been a spectacular image because the photographer would have had to set up the shot, snap several takes, maybe bracketing some settings, develop the film and choose the best of the set. And people would have been all "Oooooh ... what a great shot" because, by comparison and considering the work that went into it, it was. Now, the internet is filled with spectacular images and it diminishes the "spectacularness" because of the sheer volume we're exposed to.
We all remember this picture. It's famous.
Here's the article :
The 1968 photo that changed the world
But to someone who didn't live through that era, the finished product doesn't mean as much because they just don't grok what it meant.
I just watched a really nice interview with Adam Duritz, one of my favorite songwriters, interviewed by Rick Beato.
Now, I love Counting Crows and have a ton of respect for Adam as a singer and a songwriter, and I enjoyed every minute of this interview. If you get a chance to watch the whole thing, it's really good. And I love to hear about the craft behind all of their music because they are musicians. It made me go back and revisit some of their stuff. But somewhere in there he makes the statement, kind of off hand, "That was before we had Pro-Tools" and it struck a chord with me, because musicians have been using technology for a long time to make things easier. And I get the whole creative process, and pouring out your soul and spending months or years writing a song, but when it all comes down to it, music is a lot of math and luck. Adam talks about the hundred or so takes he recorded for "Mr. Jones". So, what really is the difference between picking the one good one, or the best one, out of a hundred or just taking one "good" track and maybe fixing it? A little pitch correction, a little quantization and you wind up with the same result, it just didn't take you a month.
So, music has been going through this change for a very long time. And now we have AI that is able to learn from what's popular and using the 12 notes available on the tempered 440 scale, churn out music that is really not all that bad with lyrics that are usually better than Nickelback.
So, I should hate AI music, right? But I don't hate bands that use synthesizers. And I don't hate bands that use Pro-Tools. Here is a really cool snippet from Billie Eilish. This is how music is made today, folks, even by talented people. Follow the link ... it's short.
https://www.youtube.com/shorts/gI5HOHEnal8
So, now we have AI music that is just DOING what people were pretty much already doing. Just with a button.
I guess the thing that ticks me off about all of it is the complete reversal of what was predicted. Computers were going to take away all of the time we spent on work so we could spend more of our time on things we enjoyed. Like art and music. And ... well, here we are. I am at work writing about computer art and music.